Mark Grotjahn

Mark Grotjahn
Mark Grotjahn
Born 1968
Pasadena, California, U.S.
Occupation Painter

Mark Grotjahn (born 1968 in Pasadena, California, U.S.) is an American painter best known for abstract work and bold geometric paintings. Grotjahn lives and works in Los Angeles.

Contents

Early life and education

Grotjahn was born in Pasadena, but grew up in the Bay Area.[1] He received his MFA from the University of California, Berkeley, and his BFA from the University of Colorado at Boulder. When he moved to Los Angeles, he opened a gallery with his friend Brent Peterson and started showing and working with other artists.[2]

Work

In the mid 1990s, Grotjahn began working on a stream of densely worked colored pencil drawings, followed by oil paintings, which focused on perspective investigations such as dual and multiple vanishing points.[3] The way Grotjahn paints grew out of conceptual sign making; he would faithfully reproduce peculiar graphics and phrases from local storefronts in his native Los Angeles. He would then trade these handmade copies to the storeowners in exchange for the original signage.[4]

Later Grotjahn began working with colored pencils to develop "perspective drawings" and then perspectival paintings.[5] In his multi-colored drawings, Grotjahn's working method is systematic and rigorous but also allows for intuition and chance. He first begins by mapping out the triangular radii in black pencil. For each work in this series of drawings, Grotjahn then sets aside the required number of colour pencils, choosing colours that ‘hold together' in value and intensity. Having laid them next to him, he chooses one pencil at random and uses it to colour in a single, pre-segmented wing section.[6]

Since 1997 Grothjahn has been exploring the radiant motif in his paintings and drawings. This sustained investigation is illustrated in his Butterfly series[7] Here, he draws on Renaissance perspectival techniques for the structures and subjects of his multiple-vanishing-point butterfly patterns in order to create the illusion that his geometries stretch, shrink, approach, and recede.[8] The Butterfly Paintings essentially consist of a radiating sequence of parallel lines are executed in thick oil in such a way that an illusion of perspective is generated by the painting's butterfly form.[9] The horizontal and vertical lines are rarely, if ever, horizontal or perpendicular to the edges of the canvas.[10]

A later series of large, vertical Face Paintings is based on the simple geometric structure of eyes, nose, and mouth.[11] Using sheets of cardboard that are primed and mounted on linen as the ground, Grotjahn employs brush and palette knife to extensively build layer upon layer of oil paint to almost sculptural ends.[12]

Exhibitions

Grotjahn's solo exhibitions include shows at UCLA Hammer Museum in Los Angeles (2005) and the Whitney Museum of American Art in New York (2006). His work has been exhibited in group exhibitions at galleries and museums such as the Museum of Contemporary Art, Chicago, P.S.1 Contemporary Art Center in New York, Museum am Ostwall, Dortmund, and Neuer Aachener Kunstverein, in Germany, and The Royal Academy in London. His work is featured in several prominent collections including the Carnegie Museum of Art in Pittsburgh, the Museum of Contemporary Art, Los Angeles, The Museum of Modern Art in New York, and the Saatchi Gallery in London. He was included in the 54th Carnegie International in 2004 and the Whitney Biennial in 2006.

Influences

Mark Grotjahn is often regared as one of many contemporary painter revisiting late Modernism, alongside fellow painters Tomma Abts, Wade Guyton, Eileen Quinlan, Sergei Jensen, and Cheyney Thompson.[13]

Position on the art market

In 2010, Grotjahn's oil on linen painting Untitled (Lavender Butterfly Jacaranda over Green) (2004) was sold for $1,5 million against its presale estimate of $500–700,000 at Christie's New York.[14]

Grotjahn is represented by Anton Kern Gallery in New York, Gagosian Gallery in London, Blum and Poe Gallery in Los Angeles, and Shane Campbell Gallery in Chicago

External links

References

  1. ^ Arcy Douglass (October 6, 2010), Interview with Mark Grotjahn Portland Art.
  2. ^ Arcy Douglass (October 6, 2010), Interview with Mark Grotjahn Portland Art.
  3. ^ Mark Grotjahn: Dancing Black Butterflies, February 26 - March 11, 2008 Gagosian Gallery, New York.
  4. ^ Mark Grotjahn, Untitled (Lavender Butterfly Jacaranda over Green) (2004) Christie's Post-War and Contemporary Evening Sale, 10 November 2010, New York.
  5. ^ Mark Grotjahn Carnegie International.
  6. ^ Mark Grotjahn, Untitled (large colored butterfly white background 10 wings) (2004) Phillips de Pury & Company, London.
  7. ^ Mark Grotjahn, Untitled (Eleven Color Variant Separated With White Butterfly 43.04) (2011) Christie's Post-War and Contemporary Art Session I including Works from the Peter Norton Collection, 9 November 2011, New York.
  8. ^ Mark Grotjahn, Untitled (2 Greens Cream Black Butterfly 74) (2002) MoMA Collection, New York.
  9. ^ Untitled Mark Grotjahn, (Black Butterfly M02G) (2002) Christie's Post-War and Contemporary Art Evening Sale, 6 February 2008, London.
  10. ^ Arcy Douglass (October 6, 2010), Interview with Mark Grotjahn Portland Art.
  11. ^ Mark Grotjahn: Nine Faces, May 5 - June 25, 2011 Anton Kern Gallery, New York.
  12. ^ Mark Grotjahn: Seven Faces, February 27 – April 3, 2010 Blum & Poe, Los Angeles
  13. ^ Roberta Smith (September 22, 2006), Art in Review; Mark Grotjahn New York Times.
  14. ^ http://www.christies.com/LotFinder/lot_details.aspx?intObjectID=5371720



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